Whethan WAREHOUSE.WAVS2 Delivers Viral Bass Remixes
Whethan “WAREHOUSE.WAVS2” officially arrives ahead of EDC Las Vegas, bringing a new wave of viral remixes, bass-heavy edits, and warehouse-inspired chaos to SoundCloud. The latest installment of Whethan’s remix series pulls from internet culture, classic rap anthems, dubstep, hardcore, and modern bass music while showcasing the sound currently driving his live sets.AM.
Whethan “WAREHOUSE.WAVS2” continues the producer’s recent shift back into heavier bass music and warehouse-focused live edits.
Built around the records currently driving his live sets, “WAREHOUSE.WAVS2” continues the chaotic, bass-era staples, hardcore influences, and internet-era anthems, all reworked through Whethan’s current sound palette of dubstep, bass music, trap, and warehouse-driven madness. Among the highlights is a distorted rework of A$AP Rocky’s “Distorted Records,” originally the explosive opener to TESTING, now transformed into a full-scale bass weapon alongside Dennett. Whethan also flips Breathe Carolina’s 2011 emo-electronic crossover anthem “Blackout,” reviving one of the defining festival-era singalongs of the early EDM boom with a much heavier modern flair.
Elsewhere on the project, Whethan taps directly into internet and underground culture with his remix of viral rapper EsDeeKid’s “4raws,” while Southern rap nostalgia plays a major role throughout the tape with flips of early 2000s staples including Huey’s “Pop, Lock & Drop It,” Rich Boy’s “Throw Some D’s,” and Yung Joc’s “It’s Goin Down,” records that helped define an era of club and street music culture across the South. Whethan also revisits blog-era and crossover rap anthems with a remix of “Beamer, Benz or Bentley” from Lloyd Banks and Juelz Santana, alongside a bass-heavy take on “23” by Mike Will Made It, Miley Cyrus, and Juicy J, a track synonymous with early-2010s party culture.
Fans are already calling Whethan “WAREHOUSE.WAVS2” one of the most chaotic remix projects currently circulating across SoundCloud and festival culture.
Another standout arrives through Whethan’s remix of “Move For Me” by Kaskade, reworking one of progressive house’s most iconic crossover records for today’s bass scene while preserving the emotional core that made the original a dance music classic. Meanwhile, his remix of Turnstile’s “BIRDS” pushes fully into heavier territory, channeling the aggression currently connecting hardcore and bass music crowds worldwide. The tape also includes a remix of “Vans” by The Pack, one of the defining songs of the late-2000s blog and skate-era internet wave. This adds another layer of nostalgia to the project while reflecting the DIY energy surrounding Whethan’s current movement.
Since re-entering his bass and dubstep era in early 2025, Whethan WAREHOUSE.WAVS2 reflects the explosive momentum currently surrounding the producer.
