Arthur Galestian is the music maestro who is constantly immersing himself in revolutionary, forward thinking Electronic music. With a vast history of playing shows...

While NGHTMRE is no stranger to playing massive stages, his performance last night at Coachella's Sahara Stage marked his most notable performance yet. After...

Having already picked up more than a dozen plays and invited as a guest mixer on Above & Beyond’s ‘Group Therapy’ radio show including the coveted ‘Push The Button’ feature, Melbourne’s Marcus Santoro proves why he is becoming known as one of the fastest rising Trance artists in Australia. Full of delicate, building chords, soothing The post Marcus Santoro Exclusive Guest Mix & Interview The Recipe Volume 14 appeared first on EDM Sauce.

The Launchpad is a biweekly series showcasing hot new music hand selected by our staff. The tracks in these curated playlists come from both underground and mainstream artists that we love. If you’d like to see your music featured in the Launchpad, you can submit it for consideration here.Our latest iteration of Launchpad showcases some of the hottest trap and bass sounds being played right now. Today’s playlist features producers big and small, but all share a similar vision of what makes an exceptionally heavy bass track.Highlights:Play Me Records are known for their massive releases, spanning across a variety of bass-heavy genres. The imprint’s latest comes from Ahee, a rising producer based out of LA-based. “Fire” is an impressive addition to the artist’s portfolio with its unapologetic broken beat, punctuated snares, and transposed vocal samples.The Weeknd and Daft Punk’s “Starboy” is undeniably one of the biggest records of the past year. Freyah Martell is among the many artists to tackle a remix of the chart-topping collaboration, brushing up the household favorite with an epic makeover. Keeping the original synths of the major hit intact, Freyah Martell’s remix is a tasteful fusion of the core essence of “Starboy” with very pleasing synth melodies and vocals from Freyah herself.Rather than give their spin on a contemporary hit, underground talents Parks N’ Wreck have set their sights toward the past. The duo offers a trap rendition Nancy Sinatra’s”Bang Bang (My Baby Shot Me Down)” is no exception. Originally released in 1966, the track received a resurgence when it was featured in Quentin Tarantino’s Kill Bill. Parks N’ Wreck strategically channel Tarantino’s intensity by using the original lyrics and an array of clever gun-reloading samples to build ferocious tension throughout the remix.Read More:Launchpad: 14 pop and vocal house tracks to kick the weekend into full gearLaunchpad: 14 house and techno tracks that will get you through your weekLaunchpad: 13 trap and dubstep tracks that pack a punch

Undeniably one of the most sought after up and coming producers around is k?d. He has exploded on the scene with originals and remixes that have floored listeners world-wide. Within the last day, k?d’s new single “Lose Myself” featuring Phil Good has already made its way well around the internet and has shown a slightly different side to the mysterious producer. “Lose Myself” still has that midtempo electro sound that previous songs have had, but this time things are lightened up a bit. It’s a cool take on the future style; one that k?d made his own without trying to be something he is not. What he is is a talented producer whose creative limits we are just beginning to start to understand. Adding Phil Good on this record was a great choice as the two worked together harmoniously without any clash. “Lose Myself” has been released by PRMD Music.

Through his earlier studio days, his tougher-trance era and his Nukleuz-released works under the P.H.A.T.T. moniker, there are those who’ll have been listening to...

Katy Perry‘s Witness has already undoubtedly been one of the most polarizing records of 2017, scoring Perry her third Billboard number one album, though met by mixed reviews across the board. Witness rolled out behind singles with Migos, Skip Marley, and Nicki Minaj, with Duke Dumont and Promnite hopping on production duties for the album’s inescapable Nicki feature, “Swish Swish.” Now, Promnite and Dumont’s original composition is being taken on by Valentino Khan, who’s shows off his own house-leaning sensibilities on his official remix of “Swish Swish.”No stranger to pop production, having previously produced work with T.I., Bruno Mars and others, Khan plays upon his signature hunker-down-low brand of club-primed house music, complementing Perry’s ubiquitous summer single with a bouncy setlist igniter. Weaving Minaj’s bars and Perry’s pitched down hook into a punching, metallic break, the “Slam Dunk” producer posts up with an aggressive new rework, complete with a trap-polished half-time break.Read More:Diplo and Katy Perry are working on bringing ‘American Idol’ back to TVValentino Khan releases dirty house single ‘Pump’ via Mad Decent